LOLOLOL (2020)


With provocative and performative energy, Kurdwin Ayub made herself the protagonist of her own video works during the 2010s' new internet culture of selfies and self-representation. In 'LOLOLOL' she turns the camera - a smartphone - away from herself and towards Anthea, an artist in her early 20s, as she during a long evening and night makes her entrance into Vienna's art world.

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